Continuing our exploration of Bible study methods, we’ll be looking at genre next. Here’s a quote that explains the need to understand genre.
One of the most important aspects of the human side of the Bible is that, in order to communicate his word to all human conditions, God chose to use almost every available kind of communication: narrative history, genealogies, chronicles, laws of all kinds, poetry of all kinds, proverbs, prophetic oracles, riddles, drama, biographical sketches, parables, letters, sermons, and apocalypses.
To interpret properly the “then and there” of the biblical texts, one must not only know some general rules that apply to all the words of the Bible, but one also needs to learn the special rules that apply to each of these literary forms (genres). The way God communicates the divine word to us in the “here and now” will often differ from one form to another. For example, we need to know how a psalm, a form often addressed to God, functions as God’s word to us, and how certain psalms differ from others, and how all of them differ from “the laws,” which were often addressed to people in cultural situations no longer in existence. How do such “laws” speak to us, and how do they differ from the moral “laws,” which are always valid in all circumstances? Such are the questions the dual nature of the Bible forces on us.
Gordon D. Fee and Douglas Stuart, How to Read the Bible for All Its Worth (Fourth Edition.; Grand Rapids, MI: Zondervan, 2014), 26–27.